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Flight & Bliss by Mikhail Bulgakov

Flight & Bliss by Mikhail Bulgakov
Flight & Bliss by Mikhail Bulgakov
SKU: 219010010
Units in Stock: 1
Translated by Mirra Ginsburg. Two plays deal with the efforts of a group of white officers to survive after the end of the Civil War, and an engineer who travels into the past in a time machine and returns with Ivan the Terrible.
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Price: P250.00
Product Details
Format: Trade Paperback

Condition: vg- condition, minor shelf wear

Size: 5.25"x8.0"

Pages: 160pp, 1985 edition

Others: All defects if any are formulated into pricing. May or may not have previous store stickers. Items were inspected but may still missed writings/inscriptions.


Neither of the plays in this volume, Flight (1926-28) and Bliss (1934), was published until long after the author's death. By 1929, his persistent refusal to conform to the demands of the Communist government and critics had led to a ban on all his work. Flight was not produced until 1957 and Bliss has never yet been produced.

Flight incensed the critics because Bulgakov treated some of the Civil War's Whites as suffering, doomed human beings rather than stock images of the "the class enemy." This tragicomedy is dominated by the nightmare figure of General Khludov, both executioner and victim, disintegrating as his world disintegrates. Charnota, on the other hand, is the hyperbolic image of a man hellent for destruction, descending from White Major General to penniless gambler in Constantinople's cockroach races.

In Bliss, for the first time in English translation, the engineer Rein travels to the past in his time machien and returns with Ivan the Terrible accidentally in tow. Four centuries ahead of his time, the Tsar is stranded in Rein's attic, bellowing imprecations. The bureaucrat Bunsha (a former prince who, for security in a proletarian state, insists he is the illegitimate son of his father's coachman) is foiled in efforts to report this tumultuous housing violation by an involuntary trip with Rein to the year 2222. A pickpocket, Miloslavsky, also transported to this serene, policeless future, weeps nostalgically before the museum effigy of a policeman.
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